I’m all about creating sound — from Foley and sound design to mixing in formats up to 7.1.4. Based in Central Germany (Halle/Leipzig), I got into Foley the classic way, learning it from the ground up, and that hands-on mindset still shapes how I work today. From commercials and image films to feature projects, I enjoy building sound worlds that feel organic, detailed and bring each story to life.
Projects
Trusted by global brands and creative studios, my work in sound design, Foley, and mixing spans a diverse range of industries – from international broadcasters to iconic brands.
selected clients & projects include:
BMW (Heart of Joy 2025), Audi (2026, Q3 2025, Audi Exclusive 2025), VW (ID.Buzz 2025), McDonald’s (Monopoly 2024, McCrispy 2024), Uber Eats (David Hasselhoff 2025), ALDI Nord (Markus Ruehl drückt die Preise! 2025), EDEKA (2026), Lidl (2026), dm (Fröhliche Vorweihnachtszeit 2024), Tchibo (Für Alle 2024), AOK (66-Tage-Challenge 2025), Lexware (Der Push für dein Business 2024), ZDF (SOKO Leipzig 2022-2024, Ready Daddy Go! 2023), ARD (WAPO Bodensee 2022-2024, Die stillen Mörder 2023), Apple TV (KRANK Berlin 2024), Goethe-Institut Barcelona (Cinema Alemany Actual 2015-2025), Hug Films (Camille & Chamäleon 2026, Check dein Netz 2025, Die Kümmerer 2025), 42film (Musikland Sachsen-Anhalt 2024-2026), nifilm (BTS Schwarzes Gold 2025, WTF is Halle? 2025, W.I.S Sicherheitszombie 2024) and many more
Setup
My audio setup consists of two studios: Studio 1 is a 7.1.4 immersive setup with Geithain speakers, while Studio 2 features a 2.1 setup with Neumann KH 310 monitors.
For recording and processing, I use a Universal Audio Apollo x6 along with microphones such as the Neumann KMR 81, Neumann KM 184 and the Aston Spirit, paired with Focusrite ISA preamps. I also maintain an extensive Foley props collection.
For production, I work in Steinberg Nuendo, using a range of tools including FabFilter, Universal Audio plugins, iZotope RX, dxRevive, Altiverb, Soundtoys, Soundtheory, oeksound and many more.